A month late for a self-imposed deadline, for 4th edition of the fatigue show; a concert series of semi-acoustic artists right here in Montreal that I started in April 2001. Started out strong with two very sold out intimate events and the third in the harshest of times a year ago. The show was brilliant but I'll take the blame for the lack of spectators. My intent was to organize another one before the end of August -- at this point I don't even have a venue yet. A few suggestions, yes, but no specifc club. There is so much to consider, the look of the venue, the capacity, the location, availability -- and most importantly the arrangments with the venue's staff. I hire venues the same way I conduct business : all backwards. It would be so easy, not only for me but for every musician involved to simply cross out this edition and it's not like it creates a "wave" throughout our musical community, no far from it, it's our best kept secret, like a bar you wish no one will go to so that you can keep it to yourself -- this event is personal to me. The whole point is a personal exchange. Making arrangments for this next show is an effort most of us can't afford to do, which is why it's oh so important. Do you understand?
02 October 2005
maybe by the end of the year
A month late for a self-imposed deadline, for 4th edition of the fatigue show; a concert series of semi-acoustic artists right here in Montreal that I started in April 2001. Started out strong with two very sold out intimate events and the third in the harshest of times a year ago. The show was brilliant but I'll take the blame for the lack of spectators. My intent was to organize another one before the end of August -- at this point I don't even have a venue yet. A few suggestions, yes, but no specifc club. There is so much to consider, the look of the venue, the capacity, the location, availability -- and most importantly the arrangments with the venue's staff. I hire venues the same way I conduct business : all backwards. It would be so easy, not only for me but for every musician involved to simply cross out this edition and it's not like it creates a "wave" throughout our musical community, no far from it, it's our best kept secret, like a bar you wish no one will go to so that you can keep it to yourself -- this event is personal to me. The whole point is a personal exchange. Making arrangments for this next show is an effort most of us can't afford to do, which is why it's oh so important. Do you understand?